Imagining Nabokov: Russia Between Art And Politics

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Vladimir Nabokovs Western choicehis exile to the West after the 1917 Bolshevik Revolutionallowed him to take a crucial literary journey, leaving the closed nineteenth-century Russian culture behind and arriving in the extreme openness of twentieth-century America. In Imagining Nabokov: Russia Between Art and Politics, Nina L. Khrushcheva offers the novel hypothesis that because of this journey, the works of Russian-turned-American Vladimir Nabokov (18991977) are highly relevant to the political transformation under way in Russia today. Khrushcheva, a Russian living in America, finds in Nabokovs novels a useful guide for Russias integration into the globalized world. Now one of Nabokovs Western characters herself, she discusses the cultural and social realities of contemporary Russia that he foresaw a half-century earlier.

In Pale Fire; Ada, or Ardor; Pnin; and other works, Nabokov reinterpreted the traditions of Russian fiction, shifting emphasis from personal misery and communal life to the notion of forging ones own happy destiny. In the twenty-first century Russia faces a similar challenge, Khrushcheva contends, and Nabokovs work reveals how skills may be acquired to cope with the advent of democracy, capitalism, and open borders.

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